Hardik Dewra
3 min read
How to structure a VSL landing page
Headline, one line of context, player, button, proof. Then the pitch in writing, for the people who never press play.
A VSL landing page has one job. Get the right person to press play, hold them all the way to the offer, then make the next step obvious. The order that does this is headline, one line of context, player, button, proof, then the whole pitch written out for the people who will never watch a video. Everything else on the page is a leak.
Half your traffic will never press play
Autoplay gets blocked, people are on trains, and plenty of buyers read faster than you talk. If your page is just a headline and a player, those visitors leave knowing nothing about what you sell. So write the pitch out under the video, in the same order the script uses, and point to it in one line: 'Prefer to read? The whole thing is written out below, about four minutes.' The video stays the main event. The text catches everyone the video loses in the first six seconds.
The script order that holds people
Seven blocks, in this order. First the hook, so the right person knows the video is for them. Second, the problem, in their own words. Third, why the usual fixes fail, which is where you earn the right to be different. Fourth, your mechanism, the specific thing you do that others do not. Fifth, proof. Sixth, the offer with the price on it. Last, the ask, with the risk taken off the table. Most weak VSLs open with the mechanism because founders love their own product, and the viewer leaves before it means anything.
The first thirty seconds decide the rest
Joseph Sugarman put it plainly in The Adweek Copywriting Handbook. The sole purpose of the first sentence is to get you to read the second. Video works the same way, only harsher, because leaving costs nothing. So cut every warm-up line. Before: 'Hi, I'm Dan, founder of Acme, and today I want to talk about our approach to paid acquisition.' After: 'If you are spending over $20,000 a month on Meta ads and your cost per lead has doubled since January, give me four minutes.' The second version sends the wrong viewer away, and that is the point.
Say the price out loud in the video
Pages that hide the number until a call collect enquiries from people who cannot afford it, and lose the ones who can. Why? Because withholding the price reads as expensive and evasive. Name it, then frame it against the thing it replaces. 'It is $4,800 for the build. That is about six weeks of the junior designer you were about to hire, and you keep the files whatever happens.' If your price genuinely varies, give the range and name the two things that move it.
Where the button goes on a VSL landing page
Put one button under the player, visible from the first second, then repeat the same button after each proof block further down the page. Buttons that only appear at minute nine were built for cold traffic on long-form direct response, and they punish the visitor who made up their mind at minute two. Under the player, one line of microcopy answers the question the click raises: '15 minute call, and you keep the audit whether or not we work together.'
Length comes from price and temperature
A cold ad audience clicking through to a $200 product does not need twenty minutes. A referral weighing up a $15,000 engagement will sit through it. A rough working rule for a first version: two to five minutes for cold traffic and low prices, eight to fifteen when the buyer is already comparing options and the ticket is high. Cut on boredom rather than on the clock. Anything the viewer already believes can go.
Ship a rough one, then watch where people leave
Record the first version on your phone before you pay anyone for production. The script moves conversion, the lighting does not. Put it live, then open the retention graph in your video host and find the sharp drop. That drop is one line breaking the pitch, so rewrite the line and re-record that section only. Do this twice and your fourth cut will beat what most agencies hand over on their first attempt.
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